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Quinta dos Cantarinhos tower dome and coat of arms

QUINTA DOS CANTARINHOS

Where History comes to life

Quinta dos Cantarinhos has several generations. Middle Ages. made by the figuration of the Tower. It still serves us as a reference of antiquity and consequently of prestige. Das The oldest reference we know is to the chapel of São Bento and is due to Father Diogo Pereira Sotto Maior (1616). Describing some farms, located on the outskirts of the city of Portalegre, after praising the past grandeur of Manuel de Sousa's property (today called "Quinta dos Cantarinhos")

Castle Interior

HISTORIC PROPERTY

Quinta dos Cantarinhos has been an unmissable place in Portalegre since its opening. Northeast of Portalegre. in the old Pena de São Tomé'", located at the top of the Serra de São Mamede, at six hundred and seventy-three meters altitude, we find the Herdade dos Cantarinhos, which has in the heart of its grounds a magnificent residence that appears to have originated in a tower manor, today uninhabited (since 2017) but still intact. This tower is part of a housing complex built from its south and west sides, from which two two-story wings depart, joined by a third, to form a courtyard interior. Access to these wings is through granite portals with a Mannerist appearance, which indicate that they date back to the 17th century, which would be quite expected. Judging by the pavilions attached to most of the Alentejo "domus fortis", also from that period. The Tower is now accessible from the first floor of the wings built to the south and west, and is architecturally added to the complex, painted white, like the other buildings, and devoid of crenellations, although it is still a volume that stands out above the roofs. Despite being made up of only two floors, it rises fourteen meters high. On a square base with eight meters on a side. It should be noted, however, that the facade. This has a row of four corbels on which a balcony probably sat, which could demonstrate the previous existence of a third floor or a balcony inspired by the terrace of the Torre de Coelheiros. The ground floor is accessible through a recent door and is currently used only for storage. The first floor, with high ceilings, features a window with conversation tables, a window door, two access doors to the adjacent wings and a narrow access door to the helical staircase. The ceiling is covered by a starry vault profusely decorated with floral motifs, ropes, acanthus leaves and the coat of arms of the Sousas de Arronches in the center of the complex. On the exterior of the facades, we highlight two spans of Manueline ornamentation in very degraded granite, one on the East facade in a double arch with two archivolts of bases with Manueline decoration of ropes and basketwork carved into four lobes, on the top, and framed with motifs of balls from the same decorative chain. On the north side, it is clearly visible from the outside, with a cylindrical tower attached to it containing a helical staircase that today only connects the first floor to the terrace, although apparently it is a more recent construction. We remember that this way of placing the staircase is also observed in the Torre do Carvalhal and the Torre da Giesteira, although, unfortunately, we do not know whether they were built before or after the Torre dos Cantarinhos. 

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The history of this farm is not clear enough for us to know the owner who ordered the tower to be built. However, the double arch of the east bay may have some connection to a palatial house to the existing one on Rua Azevedo Coutinho, in the center of Portalegre, which also displays a bay with twin arches with exuberant Manueline decoration, made on the initiative of D. Nuno de Sousa Tavares in 1538". The one at Torre dos Cantarinhos has a more simplified ornamentation, has the same number of archivolts and appears to have even had a mainel identical to that of D. Nuno's house, which is suggested by the flat surface at the junction of the two arches. Of course, these are elements that also characterize a widespread artistic trend in several 16th century buildings in the Alentejo; however, the coats of arms that display the two houses may indicate some more obvious connection. "The story goes that the king obliged D. Nuno to stop construction with such exuberance"! The coat of arms on the house in Portalegre is that of the Sousa Tavares e Silva, which refers to the first marquis of Arronches. Henrique de Sousa Tavares e Silva, the first to use the three surnames, has already in the 17th century, which may suggest that this coat of arms does not coincide with the date of inscription. On the other hand, the coat of arms of the Sousas de Arronches, which is represented in the Torre dos Cantarinhos, was already used at the beginning of the 20th century. XVI

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